This is another rehash of the Northfield Bank Robbery and the escape of Frank and Jesse James. The author used several creditable sources for the book, but he also used a lot of newspaper articles as sources. The newspapers are often from areas far removed both geographically and in time from the crimes which they described. It stretches the imagination to believe newspapers from Vermont or Florida forty years after the incident would be considered as accurate sources.
The author repeats many of the more garish tales about the James and Younger gang members and often says that what he repeats is probably just a story. For example the tale of Cole Younger checking out his new Enfield rifle. Cole supposedly lined up fifteen Kansas Jayhawkers and kept shooting until he killed them all. Competent historians have long dismissed this story as a complete myth.
The author repeatedly proves that his knowledge about the state of Missouri is not very comprehensive. He makes the statement that Missouri was a slave state with most slaves in the southern part of the state. In fact, most of the slaves in Missouri were along the Missouri River in the area often referred to as “Little Dixie.” When Jesse James is living in St. Joseph, Missouri, the author states he was living there in the “Cracker Neck District”. The Cracker Neck area was located in Jackson County, near Independence, Missouri, not in St. Joseph.
Jesse James is made out to be a most brutal man. He reportedly shot and killed a “St. Louis drummer” who was just walking down the street out of pure wantonness. Jesse was also a real ladies man and had liaisons with hundreds of women. He supposedly had a daughter living in Howard County, Missouri at the time of his death. And Jesse also killed Ed Miller because Miller caught Jesse fooling around with his girlfriend. Ed Miller was a married man, but I guess he might have had a girlfriend too.
Bill Anderson’s men always rode under the Black Flag. And when Anderson’s men killed Major Johnson and his troops during the Centralia raid, they shot Johnson and all 148 men in the head.
Two new members of the James gang are revealed in this book, Sam Kaufman, and Sam Hill. None of the most reliable books about the James gang every mentions these two names. This author also claims the notorious liar, Kit Dalton, is a friend of Jesse James. This is very unlikely although Kit Dalton did know Frank James in later years.
This book has little to recommend it. The book is full of inaccuracies, has misspelled words (deputy marshal is consistently deputy Marshall) and contains some dubious photos. It is very disappointing to see McFarland & Company publishing such a poor quality book at such an outrageous price.
There is another group of people who knew Harold Dellinger on a much different level. Harold was known to them as a pop-historian. That is, Harold was one who appreciated history so much that he rose to a level of authority although he was not trained officially as a historian. For many, Harold was their introduction to the popular history of Jesse James and the Civil War. Only those close to Harold knew his interest in Jesse James began simply enough when Harold was a young parole officer in Kansas City.
In recent years, Harold produced some YouTube videos, as the Quantrill Society visited obscure historic sites connected to Jesse James and the Civil War.
Harold’s visit with the Quantrill Society to the historic residence of Judge Luther Mason prompted Stray Leaves to initiate an inquiry into the ancestry and kinship of Judge Luther Mason. Not surprisingly, the research revealed Judge Mason is kin to Frank and Jesse James, as well as to other notables of the Civil War era. While their kinship as half 5th cousins is somewhat distant and indistinguishable in the period, the tug and pull of their shared genetics now remains known and unmistakable, revealing new history to come.
The James-Younger Gang issued the following condolence:
“We are saddened to hear of the sudden passing of Harold Dellinger and send our heartfelt condolences to his family, friends, and associates. Our historical community has lost a valued member. Harold will be remembered fondly for his kindness and willingness to help fellow historians.
“We had the pleasure of having Harold as a guest speaker at our 2015 conference in Kearney, Missouri. He gave us a wonderful presentation on Jim Cummins then joined us for our banquet where he mingled with new and old acquaintances.
“He will be greatly missed.”
On behalf of the Quantrill Society, President Cyndy Taylor had this to say:
“The William Clarke Quantrill Society is still reeling from this blow–Harold was fine one day, before Higginsville, and gone the next.
His daughter, Laura, told me today that there would be a visitation on June 14 from 4-7pm with a eulogy at 6 pm during that time, at Passantino Funeral Home in Kansas City, Missouri. The obituary will be coming any day now, as the family is still putting it together. He will be buried at Lancaster, Missouri where his parents are buried.
“Harold was president of the WCQS for 10 yrs. or more, and good friend /assistant to Don Hale. He belonged to a number of historical organizations.
“To say ‘We miss him’ is the understatement! He was on our ‘frequent contact’ list; all of us, especially the board members, talked to him and asked questions of him sometimes weekly.
On Saturday, June 2, 2018, Harold was scheduled to participate in Confederate Memorial Day events in Higginsville, Missouri. When he failed to appear, members of the Quantrill Society checked his residence, where Harold was found deceased.
Seeking authentication experts of convenience doomed Justin Whiting & his fake Jesse James photo to failure.
When Justin Whiting’s “7£ eBay find” was rejected by the Jesse James family as a fake image of Jesse James, Whiting turned to experts of convenience. Whiting believed the experts he chose would provide the validation required to bring his tintype to auction. His experts would provide Whiting a path to the financial windfall he expected.
Whiting’s experts of convenience, however, fell far short of the task. Flaws hidden in their backgrounds and abilities proved to equal Justin Whiting’s flaws of expectation.
Rejected by Jesse James Family
In email salted by bad grammar, misspellings, and chronic badgering, Whiting repeatedly plagued the James family’s historian, Eric F. James, with conflicting claims related to several old photographic images Whiting owned. Once Whiting settled on the best image he thought was Jesse James, he requested the family historian’s concurrence without offering justification or reason.
In short order, James informed Whiting his image, in fact, was not an authentic image of Jesse James. James further advised Whiting that any effort to secure an authentication would be a waste of time, effort, and money.
Whiting abruptly switched to other images in his possession that he also claimed was Jesse James. Whiting’s incoherence quickly turned into an annoyance for James. The irritation turned into exasperation when Whiting informed James he would consult Lois Gibson for an authentication of his image.
Rejected by Lois Gibson
Lois Gibson was known to James as the haywire authentication artist in the Bob Ford/Jesse James Photo Hoax of 2017. James warned Whiting to be wary of whom he associated with, lest Whiting acquire the reputation of a con artist himself.
Months past before Whiting returned to James. When he did, Whiting complained that Lois Gibson did not believe his image was a match for Gibson’s Jesse James image authenticated in her hoax. Why would they, James questioned. You can’t compare a fake image of Jesse James to another fake image of Jesse James that was authenticated as a match for yet another fake image of Jesse James. Whiting’s rabbit hole of foolishness was laughable.
Regardless any reason, or the lack thereof, Lois Gibson offered to authenticate Whiting’s image for $750 plus an additional $750 to authenticate Whiting’s comparison image.
Whiting told James he would align with James in branding Gibson a fraud if only James would approve his image. At this point, James ceased responding to Whiting’s chronic email.
Accepted by Experts of Convenience
In time, Whiting returned once more to James to announce he had found an authenticator more expert than the Jesse James family. His authentication expert accepted Whiting’s image as a match to an image of Jesse James known by James. Shortly, Whiting expected, his image would be fully authenticated in writing so he could proceed to the auction market.
William Dunniway is not an expert in Jesse James photography. He is not an expert in photo image authentication, nor is he trained in any photographic forensic science. This did not stop Justin Whiting from seeking William Dunniway as his second expert after Lois Gibson to authenticate his fake image of Jesse James.
William “Will” Dunniway gave up historical re-enacting to pursue his interest in wet collodion photography
For 25 years, Will Dunniway, as he is known, was a re-enactor of history. Today, Will no longer does re-enactments. Instead, his time is devoted to his interest in wet collodion photography, an old style of photographic image creation that differs entirely from the tintype photography of Justin Whiting’s image.
Like Justin Whiting, inexperience in the forensic science of image authentication did not stop Will Dunniway from stepping beyond the boundaries of his abilities. When he did, Dunniway exposed his own deficiencies.
Recently, Will Dunniway was called upon to assess an image claimed to include Billy the Kid. The National Geographic Society produced a documentary about the find.
The image since has become highly controversial and has divided the community of western historians. Dunniway’s opinion revealed the limitations of his expertise.
The tintype itself was analyzed by noted wet-plate collodion photographer Will Dunniway…He date-stamped the croquet photo to a plate made between 1877-1881. The chemical process used to make the plate tells the tale. Residue and a close look at the media material itself is consistent with photographs made in that time frame. Dunniway also confirms McWilliams findings that clothing worn in the period is correct.”’
Such was Will Dunniway’s sole findings.
Will Dunniway suggested that period clothing and an estimated date of 1877-1881 says the third person from the left is Billy the Kid.
Of Dunniway’s two findings – one, the date stamp of a collodion image compared to a tintype, and two, the identification of period clothing – neither of these findings authenticate anything regarding the primary question. Does the image include Billy the Kid?
Dunniway’s Expert “Authentication” for Whiting
Wisely, Dunniway begins the written affidavit of his findings for Whiting’s Jesse James tintype. He boldly states, “…I am NOT a facial recognition expert.”
This statement alone should have disqualified Dunniway as an expert in forensic science suited to assess and write an image authentication. Any opinion Dunniway might produce was doomed to be rendered unworthy.
Regardless, Dunniway persisted in Whiting’s authentication charade. Dunniway stated, “The age of the image was about 1861-1862.” He offered no explanation for his declaration.
Again without evidence, Dunniway speculated as if fact, about Whiting’s comparison image. Dunniway stated, “It [the comparison image] appears to have been printed of a collodion glass negative…” Then Dunniway added one more disqualifying pointless absurdity, “This is only conjecture…”
In conclusion, Dunniway’s imagination took flight like that of Justin Whiting. “I believe it was taken on the same day by the same photographer. This is very evident by the face, hair cut [sic], jacket, shirt, and tie that this is the same image of Jesse James at 14 years old.” How this imaginary deduction is made, Dunniway left entirely unexplained.
In the end, Dunniway excused himself and his valueless declarations. “I recommend that Justin follow up with a facial forensic comparison…” With that, the buck was passed from Justin Whiting’s second expert to his third expert, Kent Gibson.
A public watchdog, says Kent Gibson “has never met a photo he didn’t authenticate as a famous person. His most famous pratfall was the bogus Amelia Earhart.”
Under the name of Forensic Audio, Gibson markets himself as “Certified Forensic Audio Examiner.” His impressive show business resume boasts abundant credentials limited to the field of audio.
Nothing in Gibson’s resume reveals any training, expertise, or experience in forensic science, historical photography, photographic analysis, or history.
Like many in show business, Gibson prefers to put forward a younger, more attractive image of himself. The photo of Gibson that appears on his website is a much younger version of the middle-aged persona one meets in person.
Gibson also fudges the location of his business. On his website, Gibson advertises, “My studio laboratory is in the Hollywood Hills.” His actual address, that appears on the same web page, exposes Kent Gibson’s fundamental difficulty with veracity.
Kent Gibson’s studio is not located among the glamorous, star-studded, multi-million dollar mansions and estates of the Hollywood Hills with its stunning views and coveted seclusion. Gibson’s actual studio and home are in the workaday neighborhood of the Hollywood “flats.” Originally populated by crowded orange and avocado groves, Gibson’s neighborhood today is beset by heavy traffic, closely knit homes, and apartment buildings.
Whenever Kent Gibson is shown an old photographic image, Gibson exits the neighborhood of reality and enters a world of fantasy. Like Justin Whiting, Gibson dreams of discovering the historic photo that will make his name as popular as a celebrity subject he attaches to it. No explanation or justification for this is required in Gibson’s world of expertise.
Photo Identification Slip-ups
Despite his lack of scientific forensic credentials, Kent Gibson already has established a record of highly questionable photo “authentications.” One attached him with Will Dunniway to the disputable Billy the Kid. The other, more egregiously, finds Kent Gibson declaring an unknown image as the lost aviatrix Amelia Earhart. His Earhart declaration has been brutally disproved.
In 2017, the New York Times published a fake photo story, typical headline and all, that claimed Will Dunniway and Kent Gibson had authenticated Billy the Kid and Pat Garrett in the image above. The image owner, Frank Abrams previously had hawked the image as including Jesse James. Not finding believers in the claim to Jesse James, Abrams turned to Gibson and Dunniway to produce the altered claim of the Kid and Pat Garrett.
About the same time, Gibson’s authentication of the Billy the Kid croquet image was debunked. Gibson had claimed to discover the location where the image was taken. The location and timeline of the image were disproved. Amateur debunkers became more expert in debunking than the experts were in authenticating.
The image’s owner was revealed to be a shopper of photo experts. One abettor was a coin dealer and auctioneer, who stood to benefit by the sale of the artifact. Other auctioneers previously had passed on the artifact.
An unwitting abettor was the National Geographic Channel that was conned into producing a documentary of the discovery. Embarrassment followed for the Society when the discovery was debunked.
Gibson’s expertise in the artifice was downgraded after his Billy the Kid location identification was found to be an impossibility. Gibson had to admit his identification was not good enough to hold up in a court of law. Finally, Gibson’s reach into extreme fantasy to identify Amelia Earhart also was debunked.
Caught by the Short Hairs of Amelia Earhart
The face of Amelia Earhart is recognizable worldwide. Only an expert of convenience like Kent Gibson would dare identify a person showing no identifiable facial features, who is photographed from the back, as the famed aviatrix.
Gibson reached for worldwide recognition when he falsely judged this image for the History Channel. What he earned was worldwide mortification.
A post-mortem of Gibson’s debacle by the Center for Skeptical Inquiry (CSI) summarized numerous flaws by Gibson and his abettors in the Amelia Earhart farce when the image was proved to be taken two years before Earhart’s disappearance.
‘I don’t know what to say,’ says Kent Gibson, the facial-recognition expert that the History Channel hired to analyze the photograph for Amelia Earhart: The Lost Evidence. ‘I don’t have an explanation for why [the photograph] would show up two years early.’”
In the documentary, Gibson said that based on the facial and body proportions of the two Caucasians, he said it was “very likely” that the photograph contained Earhart and Noonan [ed. her co-pilot].
In a phone interview with National Geographic, Gibson added that since the documentary filmed, he has acquired new facial-recognition software that signals a match between the photograph’s Caucasian man and Fred Noonan. His previous software had indicated that there were too few pixels in the photograph to successfully perform the analysis. (In a follow-up email, Gibson declined additional comment.)
Gibson’s “Authentication” for Whiting
Not skilled in the meticulous metrics and analytics of photo analysis that applies forensic science techniques which are extensive and time-consuming, Kent Gibson prefers to rely solely upon photo comparison software for the quickie authentications he proclaims.
Such software today is used to trick the eye, as one auctioneer tried to do in 2014. More commonly today, such software is deployed on Facebook to harvest metrics for advertisers by fooling Facebook subscribers to transform their photo images into historic persons, the opposite sex, art, or cartoon characters. (The same software could be employed to transform an image of Kent Gibson into an image of Lois Gibson. After all, the two never have been seen together.)
When addressing Justin Whiting’s image, Kent Gibson acted impulsively as he does routinely. Digital Trends reported,
…Gibson didn’t need long to reach his conclusion. “I could tell immediately,” he said after running the picture through several facial recognition programs. “It scored off the charts.”
Gibson is also hyperbolic in his assessment of the value of Whiting’s image. As the BBC reported,
Mr. Gibson said: ‘”All power to Justin. An authentic photograph of outlaw Billy the Kid sold for $5m (£3.6m) in 2015 so the sky’s the limit…Jesse James is a very famous outlaw so this is obviously a valuable image.”
Con artists of fake Jesse James images feed off of one another.
In Regina, Canada, Rob & Karen Baron produce a YouTube channel called “Bargain Barons.” They are promoting their latest discovery – a tintype they claim is Jesse James.
The Barons say,
We have put the word out to several people. We very quickly heard back from Forensic Audio & Video Examiner KENT GIBSON. According to Kent: “Dear Rob & Karen: I ran your tin through one of my 5 different facial recognition programs and your photo is plausible.”
The Con Artist’s Template
So far, Rob & Karen Baron are making all the mistakes, following the typical template of a Jesse James photo con artist.
The Barons claim discovery of a tintype of Jesse James like Justin Whiting
The Barons found the tintype on the internet like Whiting
The Barons compare their tintype to fake images of Jesse James like Whiting
The Barons are shopping for experts of convenience like Whiting
The Barons claim Kent Gibson believes their claim like Whiting
Without a doubt, once the Barons have an authentication in hand, issued by an expert of convenience like Kent Gibson, the Barons may seek to become merchants of identity theft like Justin Whiting. They may seek an expected financial windfall, too.
If they do, the Barons will find the Jesse James family waiting for them to discredit their image and expose another fraudulent Jesse James photo misadventure.
The eBay find of Justin Whiting of the UK was promoted worldwide as being an image of Jesse James. Decrying Whiting as a fraud and a merchant of identity theft, the James family enjoined Mark David Bampton of Great Britain to analyze the image and make public his findings. Below is Bampton’s entire report for free download, plus highlights of his findings.
MARK DAVID BAMPTON’S FORENSIC ANALYSIS
DOWNLOAD Mark David Bampton’s paper in pdf format.
DOWNLOAD Kent Gibson’s & Will Dunniway’s declarations for comparison
HOVER over slideshow for directional pages.
There is generally good alignment for most lines.
• Top of the head
• Centre of the eyes
• Bottom of the nose
• Edge of the top lip
• Where the lips join
• Edge of the bottom lip
• Bottom of the chin
• Top of the shirt collar
The distance between the bottom two lines indicates that the man on the left has a significantly longer neck than the man on the right.
The parts of the yellow line marking the tops of the shoulders are significantly below the shoulders highlighted with red lines. This is consistent with the significant difference between the top of the shirt collar and the bottom of the chin and confirms that the man on the right has a much shorter neck than the man on the left.
There is considerable misalignment of the template and the lower part of the lapel in the right hand photograph is significantly wider than in the left photograph. The lower part of the lapel is also much longer as highlighted by the length of the yellow template line.
In contrast to what the experts say these are definitely different jackets in each photograph.
The horizontal lines are drawn through the following features although the top of the head is obscured by the brushed back hair.
• Top of the hairline at the parting
• Centre of the eyes
• Bottom of the nose
• Where the lips join
• Edge of the bottom lip
• Bottom of the chin
There is generally good alignment although the man on the right has a thicker bottom lip than Jesse James.
Vertical lines are created on the lower picture of Jesse James and continued up over the other photograph. They mark the following dimensions.
• The distance from ear edge to ear edge
• The distance between the centres of the eyes
It is not possible to align both eyes in the photograph at the top right so his right eye is
aligned. The left eye centre is noticeably inside the other vertical line indicating that his eyes
are closer together.
Coincidentally his right ear is aligned with the relevant vertical line but there is a significant gap between his left ear and the other vertical line. Together with the shorter distance between the eyes this indicates that the man in the top right photograph has a much narrower head than Jesse James.
It is clear from my analysis that there are significant differences proving that Justin Whiting’s photograph is not an authentic one of Jesse James…
His two photographs were taken with different photographic processes and include two different men wearing different jackets. There is nothing left to indicate that they were taken on the same day by the same photographer.
In the worldwide publicity Justin Whiting promoted, Whiting advertised that his “7£ eBay find” was headed to Christie’s in London. There, Whiting imagined he would reap at auction a $2 million dollar windfall that the experts Whiting consulted told him to expect.
On March 31, 2018, Christie’s notified Whiting in writing that his artifact was not suitable for consignment. Christie’s further requested that Whiting refrains from associating Christie’s name with his promotion.
In America, the New York Post formerly followed The Telegraph in first reporting the Justin Whiting’s story. Now The Post walks away from the story, too.
The story of Justin Whiting and his “7£ eBay find” is a story of self-delusion, false hope, and cognitive dissonance, abetted by unscrupulous enablers, all whom wilfully sidestep reason and critical thinking for the dream of fleecing the public of an exorbitant amount of money. That is a crime unworthy of the name of Jesse James.
“I was born and have always lived in the UK. Since 2000, I have lived in Ampthill, which is a small Georgian town in Bedfordshire.
“From my formative years, I was interested in a mixture of the arts and technical subjects, moving on to complete an art foundation course. There I decided to pursue a career in industrial design, combining both artistic and technical demands.
“My career progressed into product engineering and development. I became interested in quality management and moved into this discipline through establishing management systems and achieving ISO9001 certification for my employers. This included some project management.
“I have always worked in manufacturing industries, involving automotive accessories, motorcycle and industrial safety equipment, though the majority of my time has been spent in the medical device manufacturing industry.”
Bachelor of Arts Degree in Industrial Design, Class 2 (1) Honours