Employing scientific forensic analysis, Mark David Bampton of Great Britain further debunks the Bob Ford/Jesse James photo hoax made infamous by tintype seller Sandy Mills, artist Lois Gibson, and their enablers.
FREE DOWNLOAD the entire paper HERE or to read in larger pdf format. HOVER over the cover image below to turn the page.
ABOUT MARK BAMPTON:
“I was born and have always lived in the UK. Since 2000, I have lived in Ampthill, which is a small Georgian town in Bedfordshire.
“From my formative years, I was interested in a mixture of the arts and technical subjects, moving on to complete an art foundation course. There I decided to pursue a career in industrial design, combining both artistic and technical demands.
“My career progressed into product engineering and development. I became interested in quality management and moved into this discipline through establishing management systems and achieving ISO9001 certification for my employers. This included some project management.
“I have always worked in manufacturing industries, involving automotive accessories, motorcycle and industrial safety equipment, though the majority of my time has been spent in the medical device manufacturing industry.”
Bachelor of Arts Degree in Industrial Design, Class 2 (1) Honours
In his forensic analysis, titled “Jesse James, Robert Ford, and the Tintype,” Great Britain’s Mark Bampton poses his question about the controversy in typical British fashion – as a pun.
“Who are these four?”
Mark Bampton lives in Ampthill, which he describes as “a small Georgian town” in Bedfordshire, Great Britain. Prompted by the reaction of the Jesse James family to the Bob Ford/Jesse James photo hoax, promoted by Lois Gibson and Sandy Mills and their circle of supporters, Mark Bampton decided to apply his own scientific forensic analysis to the image controversy. Not surprisingly, Bampton arrives at a different conclusion than Lois Gibson.
“It took me a little longer than expected to look into Lois Gibson’s authentication material due to the number of problems with it. From the material that I could find, I could not identify any effective analysis process.”
Unlike the artist Lois Gibson who claims to have authenticated Mills tintype by employing imagined photo comparisons and artistry, Bampton is not an artist. Bampton’s field is industrial design and product engineering, a profession that Bampton says requires both “artistic and technical demands.”
Instead of artistry, Bampton applied the sciences of mathematics, linear technical analysis, and measurement testing. These are the same skills Bampton employs as a product engineer. They also are the skills that a trained scientific forensic scientist normally would apply in the formal analysis of an historical image or artifact.
“I could not identify any logical or justifiable reason why Lois Gibson would authenticate the tintype…”
Bampton soon discovered the Bob Ford/Jesse James controversy was not the only controversy involving the Houston-based artist. Lois Gibson also created a very similar controversy over an image she claimed was the famed bluesman, Robert Johnson. On the website Academia, Mark Bampton discovered that England’s newspaper The Guardian had reported on the Jonhson controversy in an article titled, “‘Robert Johnson’ photo does not show the blues legend, music experts say.”
Dr. Bruce Conforth, a university professor of American culture and a founding curator of the Rock & Roll Hall of Fame, was cited in The Guardian article as criticizing Lois Gibson’s authentication technique. “Historical scholarship relies on evidence,” Dr. Conforth said. “And if you look at the alleged authentication of that photograph there really wasn’t a piece of evidence, there was opinion. Historical fact is never validated by opinion; it can only be validated by evidence.”
Very familiar to Mark Bampton was the linear forensics applied to the Johnson image, that appeared in Dr. Conforth’s treatise.
Bampton decided to apply his own forensic skills upon the assumptive Bob Ford/Jesse James image.
“I intended to make my report factual and impartial although conclusions about the veracity of the authentication were largely inevitable.”
Using several applications of linear forensics, now fully and clearly outlined in Mark Bampton’s documented report, discrepancies proved to be multiple and evident. Not only were discrepancies revealed in the conjectural Jesse James image, they also became evident in Gibson’s uncertain Bob Ford image.
“If this is correct, $40,250.00 is a lot to pay for a picture of two unknowns, even if it is an old tintype! Personally, I’d move the decimal place at least three places to the left.”
Mark Bampton registered shock when told by the James family that Sandy Mills’ tintype had sold at auction for $35,000, plus auction fees. The James family was informed of the sale by two regular attendees at Burley Auction Gallery events. The regulars stated that the prize bidder was not recognizable and was unknown locally.
The James family alleges that the fraud that is evident in Gibson’s hypothetical authentication may extend to the auction, too. Prior to the auction, Stray Leaves publisher, and Jesse James family biographer Eric F. James was contacted by the Houston Chronicle to schedule an interview following the auction. Given the very surprising outcome of the auction, this result should have made a gigantic news story, attracting worldwide attention. No historical image of Jesse James or the James family has ever sold for more than two thousand dollars. Eric F. James is perplexed that the Houston Chronicle did not follow through and interview him afterward as planned. Nor did the newspaper report on the auction outcome as it had planned. This was even more perplexing given the fact that Dylan Baddour of the Chronicle had broken the story initially about the pretentious tintype. Baddour previously also reported on Gibson’s alleged authentication of the Robert Johnson image.
Not willing to accept one piece of oral testimony about the auction result alone, Mark Bampton uncovered secondary evidence of the auction’s outcome on icollector.com.
Of course, no evidence remains that the purchase money actually was paid, the image transferred, and the sale concluded. Nor has the winning bidder been publicly identified following the acquisition of such a prized auction artifact. Those unknowns in itself guarantees that this story will continue to be a controversy for a long time to come.
Initially, Mark Bampton titled his paper in true British fashion, using a very witty pun. He posed the question, “Who are these four?”
The literal answer to the pun is a fake Bob Ford, a fake Jesse James, and two authentic images of them. The non-literal answer is, whoever has benefited the most financially or in publicity from the promotion and sale. Among Lois Gibson, Sandy Mills, the auction house, and the Gibson-Mills ring of partners and supporters, a lot of unknown information remains. Ample room for conjecture is left. The wealth of criticism leveled at this controversy will not abate soon, at least not until the pun of the question finds authenticatable answers.
“I plan to do a separate paper for each of the two Robert Johnson photographs…I plan to follow a similar analysis for the Robert Johnson papers as for the Jesse James paper.”
This fall, Mark Bampton will visit America to present his paper on “Jesse James, Bob Ford, and the Tintype” before the James family, their friends, and associates at the annual conference of the National James-Younger Gang Inc. The conference will be held in Georgetown, Kentucky. The public is welcome to attend.
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FREE DOWNLOAD: Mark Bampton’s entire paper now appears on the Academia website and also is free for download HERE.
Savvy collectors of historical photos and artifacts took no time at all to alert the Jesse James family about the next stage in the ongoing Bob Ford-Jesse James photo hoax. The latest hoax partner is the Burley Auction Gallery, aka Burley Auction Group Inc. located in New Braunfels, Texas. The only suspense left to this promotion of fraudulent Jesse James imagery is, who will be the next sucker to fall for this auction’s photo fraud?
The auction announcement clearly identifies who is the present sucker. The Burley Auction Gallery advertisement identifies the estate of Tommy & Sara Jane Howell as the present dupe to have fallen for the scam.
SON OF A CON JOB
The flimflam originated with Sandy Mills, Lois Gibson, and others. The Jesse James family has published and documented a blistering indictment of Mills and Gibson, describing in compelling detail why the claimed image is a hoax. The James also have identified the cabal who have partnered, enabled, and supported Mills and Gibson’s hoax.
The Howells appears to have owned or acquired the artifact less than a year ago. Next in line, they now have consigned their fraudulent tintype to Burley Auction Gallery to dispose of it.
When and how the Howells came into possession of the fake photo is not clear. The photo was last available and being promoted for sale in January of 2016. Sandy Mills and her boyfriend were publicly intent upon selling the fake image for, as Mills’ boyfriend greedily stated in one televised interview on KREM2 in Spokane, Washington where Mills lives, “we’ve heard numbers in the millions.”
At that time, Bobby Livingston, executive vice-president of RR Auction in Amherst, New Hampshire, judiciously sidestepped the opportunity of auctioning the photo. Or did he?
Livingston certainly did not shy away from promoting the sham. In a newspaper interview, Livingston stated that if the image was authentic the photo might fetch up to $2 million. A surprising statement from an auction house, since due diligence by any auction house would reveal that no authentic image of Jesse James has sold for more than $1,500. Bobby Livingston is under indictment in a lawsuit for fraud, misrepresentation, and presenting fake historical images as authentic. Livingston and RR Auction go to trial on January 17, 2017.
Questions remain. How did the Howells come into possession of the subject artifact? How much did they pay? Why now are they so quick to rid themselves of a tintype claimed to be so valuable?
Burley Auction Gallery grandiosely expects the Howell image to fetch $50,000 to $1 million. The value estimate apparently has plummeted precipitously since Mills’ original claim “in the millions.” The James family predicts Burley will find a new sucker willing to pay far less than the predicted amount – if anything at all.
FAILURE IN DUE DILIGENCE
Clearly, Burley Auction Gallery failed to conduct any due diligence in arriving at its estimate of value. Nor did Burley assess the tintype’s authenticity or legitimacy. Burley astutely refers to the image as “Photograph Attributed to Jesse James & Bob Ford.” Burley does not state the image is Jesse James and Bob Ford.
Burley also cites the auction image was “Inherited from a cousin of Frank James wife.” According to the Jesse James family, Sandy Mills’ claim that she is kin to the Jesse James family is as bogus as her tintype.
Mills never has published her genealogy publicly or made it subject to any peer review. The Jesse James family does not know Mills family personally, or even informationally. Neither Mills nor her family appears in the official Jesse James genealogy on the James family’s web site Stray Leaves that has been published for 20 years, despite the fact that there are some Mills who in fact are related to the James. Burley Auction Gallery stepped away from conducting any due diligence regarding this claim of kinship whatsoever.
How much malpractice Robb Burley, the auction gallery’s owner, may be on the hook for is yet to be determined. If Burley conducted any due diligence at all, Burley never contacted the James family for its opinion. Nor did Burley contact the family about the image of Bob Ford handed down through their family. The James family’s image of Bob Ford first was published in 2012 in Jesse James Soul Liberty, Vol. I., an authorized history of the Jesse James family. Nor has Burley contacted any collector of Jesse James artifacts and images known to the family. Those collectors are a tightly knit group. Most all enjoy a personal relationship with the James.
A CONFLICT OF INTEREST ?
One of the ironies of the Burley auction is the fact that the fake Bob Ford-Jesse James photo will be auctioned together with “Part II of the Texas Ranger Collection.”
Burley’s promotion makes no mention of Lois Gibson’s original “authentication.” Then, Gibson cited an actual image of Texas Rangers taken in 1892, a decade after Jesse James was dead. Gibson asserted one of the Texas Rangers to be Jesse James. She favorably compared Sandy Mills’ claimed Jesse James tintype to the Texas Rangers’ image. The individual Gibson asserted was Jesse James, in fact, is known to factual history to be Texas Ranger Robert “Bob” Speaks, not Jesse James.
The rotating banner on the museum’s website displays the Texas Ranger image from 1892 that Gibson claimed includes Jesse James. The banner image is titled “The History of Early Texas Rangers.” No one in America believes that Jesse James was a Texas Ranger after he was killed in 1882.
In a slide show, Burley does rely upon Gibson’s comparisons of Bob Ford’s actual image to Mills’ claimed image. A degree in forensic science that would employ mathematical analysis to assess similarities and dissimilarities of physical features in historical imagery is not needed here. Plainly visible in Gibson’s comparison is the dissimilarities between the actual photo and fake photo regarding hairline, forehead, eye, ear, and nose structure, lips and jawline. The two plainly are not identical.
Furthermore, the Texas Ranger Hall of Fame & Museum takes great pains to caution the public against fake Texas Ranger badges. Fake Ranger badges are as rampant apparently as fake Jesse James photos. In this auction, the Howells have consigned to Burley Auction Gallery a number of Texas Ranger badges to be auctioned with the Bob Ford-Jesse James photo hoax. Assuming the Howell’s Ranger badges are bonafide, is it any wonder why Burley Auction Gallery would make no mention of Gibson’s egregiously and flagrantly flawed Texas Ranger image comparison?
THIS BOB FORD-JESSE JAMES PHOTO IS A HOAX
The Jesse James family formerly debunked the Mills-Gibson-Howell fake and stands by its allegations. The family further has documented the cabal of sycophants that has supported and promoted this bogus photo. The Jesse James family restates its willingness to support anyone who may have a claim they are defrauded by the known principals and supporters of this Bob Ford-Jesse James photo hoax.
Burley Auction Gallery is on the hunt for the next sucker in this proven swindle. The James family now adds Burley Auction Gallery to its listed cabal of those – and their successors – who enable, promote, and disseminate fraudulent and fake Jesse James imagery in their exercise of Jesse James family identity theft.
Go behind that book cover and read some chapter previews of Jesse James Soul Liberty. You know what they say. You can’t judge a book by its cover.
Click on the book jacket below to preview chapters. Purchase now HERE
I’m not saying my book cover is bad. I intentionally made it look imperfect. This book cover, in fact, has drawn more attention than what readers expect to find inside the book. That’s because this image of Jesse James never has been published before. This book cover is intended to surprise and arrest, like what’s inside the book that also never has been published before. I’m inviting you to consider imperfection.
Jesse James Soul Liberty, Vol. I
Chapter 1 - Some Kind of Outsider
Chapter 2 - Talented but Erratic
Chapter 3 - Goodland
Chapter 4 - An Independent Free Man
Chapter 5 - The Highest Mental Culture
Chapter 6 - Only a Large Soul Can Do This
Chapter 7 - Breaking Barriers
Chapter 8 - Underrated Men & Unleashed Feminists
Chapter 9 - All for the Underdog
Chapter 10 - Useful Unto the lord
Chapter 11 - No One in Our Family Backs Down
Chapter 12 - Destiny on the Run
Afterward - Unto the Third Generation
Do you recall other books about Jesse James, and what the pictures on those book jackets reveal? For the most part, nothing is revealed. When Jesse James appears on a book jacket, he appears mostly in relief, leaving you a vague image of the outlaw, and an even more vague image of what to expect inside the book. Not so, here. That’s one reason why you may want to read some chapter previews to find out for yourself what’s behind this book cover.
Here is why I chose this particular image for the book jacket. Jesse appears matter-of-factly on this book jacket. Like the scarred tintype this image comes from, Jesse is a flawed character. He’s defective. Universally, Jesse James is unacceptable. Like his damaged tintype, he’s not useful to society in the manner society expects. If he is, in fact defective, what do his defects represent? There’s another reason for you to read the chapter previews behind this book cover.
This image holds the promise of what you will discover inside Jesse James Soul Liberty. Inside, you will find the Jesse James that only Jesse’s own family can bring to you. It’s an understanding of the outlaw, his reality behind his distortions, fallacies, and mythology, that no historian ever has been able to capture. Not in books. Not on TV. Not in the movies.
No historian of Jesse James ever has looked at the genetic makeup that made him an outlaw. Behind this book cover, though, individual members of the Jesse James family reveal to you in their own actions just what it takes to make the quintessential character, personality, behavior, and soul that is a James. They do this in generation after generation. For that, however, you’re going to have to get behind the book cover and delve more deeply beyond chapter previews alone.
What the James family shows you behind that book cover of Jesse James will have you looking again and again at what you think you know about Jesse James, and what exactly was the meaning of his actions and history.
Despite the proliferation & debunking of countless fake Jesse James photos, we still receive images from people asking if their Jesse James photo is authentic. This video shows just how easy it is to fake a Jesse James photo.
Another popular fakery technique is to compare an authentic image of Jesse James with an image that is stated to be Jesse James but is not authentic.
Recently Bill Koch, one of the infamous Koch brothers who pump $millions into political promotions, paid $2.3 million for an authentic tintype of Billy the Kid. The scuzzy old tintype is pretty time-worn, but using these techniques, which won’t cost him nearly the millions he spent to buy the tintype, Bill Koch should be able to have himself a first-rate image of the young outlaw.
RHODA MAY (1806-1889) is the stalwart spouse of the “talented, but erratic” Rev. Joseph Martin James (1791-1848).
Rhoda withstood all transgressions, indignities, & social ostracism that her husband created with admirable Teutonic stoicism.
When acute alcoholism took Joe’s life at age fifty-seven, Rhoda became a forty-two year old widow, left alone to raise nine children.
For the next forty-one years of her life, Rhoda May James resolutely carried the social burden of her husband’s disgrace. She watched as the Civil War divided her children and tore apart her family. She never remarried.
Thanks to Gwen Smith-Gershwin, who is a fourth great granddaughter of Rev. Joseph Martin James & Martha McAlister, Joe’s first wife, this tintype image of Rhoda May now can be appreciated.
The original tintype was handed down in the family through Rhoda Alice Owens-Cole-Dowell, Rhoda May’s granddaughter & namesake.
Prior to the contribution of this tintype image to The James Preservation Trust, the only known image of Rhoda May was a framed oval colored photograph. This colored image still hangs in the home of Nelva Anne Herrin, a great granddaughter of Joe Martin & Rhoda May James. Nelva Anne’s contemporary home, built by her father Lem Garland Herrin, sits opposite the decayed ruin of the home built & occupied by her great grandparents Joseph Allen Herrin & Susan Harriet James on the original settlement lands of John M. James at Shopville in Pulaski County, Kentucky. Susan Harriet James is a daughter of Joe Martin James & Rhoda May.
SOME CHILDREN OF RHODA MAY-JAMES
EDWARD PERRY JAMES (1847-1931) was only a year old when his father died. He grew up in his father’s stone house in Shopville, married Elizabeth Langford, & raised a family of nine children in the same house. His youngest child, he named Rhoda May James, after his beloved mother. Progressively selling off his land holdings in Shopville, he removed his family to a new home he built in Berea, Kentucky, where he died.
SUSAN HARRIET JAMES (1843-1920) was five years old when Joseph Martin James died. She was thirty years old when she married Joseph Allen Herrin, a Union veteran of the Civil War.
In a diary Herrin kept during the war, he noted the wounding of Susan Harriet’s brother, Andrew James.
Herrin was returned from the war for almost a decade, when he and Susan Harriet married in the home of Rhoda May.
On the land of Susan Harriet’s grandfather, John M. James, in Shopville, the couple built themselves a new home. The home remained occupied by her descendants until about 1947, when the couple’s grandson, Lem Garland Herrin, built his bride, Thelma Hayes, a new home directly opposite the lane of the old home.
MARY HARRIET JAMES (1842-1935), nicknamed Mary Jane, was age ten when her father died. Left alone with Rhoda May to defend the family home during the Battle of Mill Springs, she successfully retained hold of the single horse they owned against marauding soldiers, by claiming half her family fought on one side while the other half fought on the other. Shortly after the war, she married Union veteran Daniel J. Owens, who had been imprisoned during the conflict. She was mother to ten children. At age ninety, she flew in an airplane for the first time. Flying over five states, she sang “Glory, Glory Halleluiah” and exited the airplane singing “Nearer My God to Thee.”
Rev. MARTIN NALL JAMES (1833-1911) was fifteen when Joe Martin James died. He became a Baptist preacher, but not one like his father. At twenty-five he married Susannah Elizabeth Matthews. The couple elected themselves Baptist missionaries & migrated into Missouri. During the war, he fought on the Confederate side. The couple bore eight children.
CYRENIUS WAITE JAMES (1831-1911) was age seventeen at the time of his father’s death He was Rhoda’s second eldest child. Cy bore witness to much of the abuse suffered by his mother. He and his other siblings also suffered the social stigma brought upon their family by their father’s bigamous third marriage to the youthful Permelia Estepp. Though his half-siblings with Permelia lived in plain view across Flat Lick Creek, the two families remained completely estranged from each other. Cy fought for the Union in the war and was taken prisoner. In prison in Georgia, he awoke to a nightmare of his daughter dying, at the same time she choked to death on some corn In Illinois. Prior to the war he removed his family there. Afterward, he walked them to Texas, where his descendants live today. No picture of Cy is known to exist. His daughter, Rhoda Ann James, named for his mother and shown here, operated his bank in Rhone, Texas.
A NEPHEW OF RHODA MAY-JAMES
JOHN SMITH MAY (1835-Aft. 1891) was a farmer and a teacher before the Civil War started. Shortly after joining the Confederate Army he was captured & imprisoned in Ohio. After the Battle of Chancellorsville, he was exchanged. He joined John Hunt Morgan in Sparta, Tennessee, but was captured later again with Morgan, David Hunt James, & Richard Skinner James. He was secondly incarcerated at Camp Douglas in Chicago, but later sent to Virginia. He surrendered with Gen. Robert E. Lee at Appomattox. Afterwards he returned to Kentucky to resume teaching. By Elizabeth McQueary he had ten children and by Sallie Thurmond two more. In Pulaski County, he became Superintendent of Schools, the Court Clerk for the county, and was elected to the lower house of the Kentucky State Legislature. He and Rhoda May-James died within a few years of one another.
Official blog for the family of Frank & Jesse James
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