Tag Archives: Dudley

Campbell E. James Takes Bashi-Bazouk to Victory

A Turkish irregular
Bashi-bazouk chief by Jean-Leon Gerome, French. Oil, 1881

In Victorian Frankfort, Kentucky, high society held washtub boat races on the Kentucky River. In once race, Campbell E. James took his competing craft Bashi-Bazouk to victory. From the Turkish, Bashi-bazouk translates as “damaged head,” and as “disorderly,” and as “leaderless.” The term originated when applied to different soldiers in the Ottoman Army who fought as irregulars. The intent of Campbell E. James to characterize his prospects for victory was evident in his irrepressible humor.

In her book Filling the Chinks, Ermina Jett Darnell wrote about everyday life in Frankfort at the time. As a descendant of the Cole family ancestors of Frank & Jesse James, Darnell was their 3rd cousin. Campbell Edmundson James, or C. E. James, was the son of Judge A. J. James & Mary Allison Beatty, and also a relation. In Filling the Chinks, Darnell recorded the following story of Campbell E. James taking his Bashi-Bazouk to victory.

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Ermina Jett Darnell
Ermina Jett Darnell, Courtesy of the Capital City Museum, Frankfort, Kentucky
On September 1, 1877, the local paper announced that there would be a tub race on the river at 5:30 on the following Tuesday. The writer said: “The course selected is from Herndon’s wharf to the boathouse below the upper bridge. All tubs other than the regulation wash-tub will be ruled out.”
 
“Herndon’s wharf” was back of the site of the present Southern Hotel. “The regulation wash-tub” was a heavy affair made of wooden staves held together with metal hoops.
 
The contestants were: E. H. Berry, C. C. Todd, Jacob Evans, Ed Grant, M. H. Malone, Dudley Watson, Campbell James, Clarence Drane, Howard Jett, W. C. Dudley, M.P. Gray, John W. Milam, John Pendleton, Robert Franklin, Peter Dudley, T. L. Crittenden, F. C. Hutchinson, Willoughby Rodman, Albert Crutcher.
 
New announcements were made in such an edgy, eager style that it is hard to see how anyone in Frankfort slept the night before the race. No contestant could be under eighteen. There were to be no paddles, but each man steer and propel with his hands. The winner would become the proprietor of all the tubs. There would be boats in attendance to pick up the crew of any capsized tubs. Crews would not be allowed to swim by the side of their tubs, and no tubs could go ashore until the end of the race.
 
Then came the great day, and all Frankfort turned out. The bridge was crowded, and both sides of the river were lined with people.

But of the twenty entries, only sixteen started, and of these, only three reached the goal. The Bashi-Bazouk, paddled by Campbell James, came in full two tub lengths ahead of Ocean Wave, paddled by Dudley Watson. The Undine No. 2, by Albert Crutcher, was capsized, alas, about ten feet from the string!

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RELATED

C.E. James Authors a History of Franklin County

A. J. James, father of C. E. James

Dr. Samuel Evans James, brother of C. E. James

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Tuesday March 2nd, 2021
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Tuesday February 9th, 2021
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Theater advertisements for plays appeared like this in newspapers. This ad for Bloomer Girl appeared in August of 1845. Bloomer Girl was the product of Daniel Lewis James Jr. and principally his wife Lilith Stanward. The following excerpt about them appears in JJSL:

Written against the backdrop of World War II, when blacks were moving out of the South into an industrial workforce, and women also were moving out of the home into the workplace, Bloomer Girl is set in the pre-Civil War era, interweaving themes of black and female equality, war and peace, and politics. The play’s principal character, Dolly, is based upon the inventor of the bloomer, Amelia Bloomer, a contemporary of an acquaintance of Vassie James and Susan B. Anthony. As a fighter in the suffragette movement for women’s rights, Bloomer advocated, “Get rid of those heavy hoop skirts; wear bloomers like men; let’s get pants; let’s be their equal.” In the play, Dolly politicks for gender equality, as her rebellious niece Evelina politicks her suitor, a Southern slaveholding aristocrat, for racial equality. As the play’s librettist, Yip Harburg, stated,
Bloomer Girl was about “the indivisibility of human freedom.”

Bloomer Girl opened on Broadway on October 5, 1944. Dan (Daniel Lewis James) insisted Lilith’s (Dan’s wife) name come first in the show’s credits. The play was an instant hit, lasting 654 performances. Dan remained modest about the show’s success, considering his contribution a failure. “...I seem not to have given full credit to my collaborators on the 1944 musical comedy Bloomer Girl...The facts, in brief, are as follows: the originator of the story idea from which the musical grew was my wife, Lilith James, who charmingly chose the perversities of Fashion to dramatize the early struggles of the Women's Rights movement. She also developed the principal characters. I joined her in writing a first draft of the libretto. It failed to satisfy our lyricist, E. Y. Harburg, and Harold Arlen, the composer. It also failed to satisfy us. An impasse developed at which point all agreed to call in the team of Sig Herzig and Fred Saidy who were experienced writers in the field of musical comedy. They reworked the material to the satisfaction of everyone but Lilith and myself, who had hoped to invade Gilbert & Sullivan territory, with what we thought was a light-hearted paradoxical look at history. What I took for a personal artistic failure for which I blamed, first of all, myself, went on to become a lavish entertainment which played on Broadway for eighteen months and has since often been revived in summer theater. If I was not delighted, audiences certainly were and full credit for this should be given to Sig Herzig and Fred Saidy (now deceased) without whom the production would never have taken place...”
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Wednesday February 3rd, 2021
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YOU CAN'T HELP BUT WONDER...What might have happened if Alan Pinkerton assigned Kate Warne to track and capture Jesse James?In 1856, twenty-three-year-old widow Kate Warne walked into the office of the Pinkerton Detective Agency in Chicago, announcing that she had seen the company’s ad and wanted to apply for the job. “Sorry,” Alan Pinkerton told her, “but we don’t have any clerical staff openings. We’re looking to hire a new detective.” Pinkerton would later describe Warne as having a “commanding” presence that morning. “I’m here to apply for the detective position,” she replied. Taken aback, Pinkerton explained to Kate that women aren’t suited to be detectives, and then Kate forcefully and eloquently made her case. Women have access to places male detectives can’t go, she noted, and women can befriend the wives and girlfriends of suspects and gain information from them. Finally, she observed, men tend to become braggards around women who encourage boasting, and women have keen eyes for detail. Pinkerton was convinced. He hired her.

Shortly after Warne was hired, she proved her value as a detective by befriending the wife of a suspect in a major embezzlement case. Warne not only gained the information necessary to arrest and convict the thief, but she discovered where the embezzled funds were hidden and was able to recover nearly all of them. On another case she extracted a confession from a suspect while posing as a fortune teller. Pinkerton was so impressed that he created a Women’s Detective Bureau within his agency and made Kate Warne the leader of it.

In her most famous case, Kate Warne may have changed the history of the world. In February 1861 the president of the Wilmington and Baltimore railroad hired Pinkerton to investigate rumors of threats against the railroad. Looking into it, Pinkerton soon found evidence of something much more dangerous—a plot to assassinate Abraham Lincoln before his inauguration. Pinkerton assigned Kate Warne to the case. Taking the persona of “Mrs. Cherry,” a Southern woman visiting Baltimore, she managed to infiltrate the secessionist movement there and learn the specific details of the scheme—a plan to kill the president-elect as he passed through Baltimore on the way to Washington.

Pinkerton relayed the threat to Lincoln and urged him to travel to Washington from a different direction. But Lincoln was unwilling to cancel the speaking engagements he had agreed to along the way, so Pinkerton resorted to a Plan B. For the trip through Baltimore Lincoln was secretly transferred to a different train and disguised as an invalid. Posing as his caregiver was Kate Warne. When she afterwards described her sleepless night with the President, Pinkerton was inspired to adopt the motto that became famously associated with his agency: “We never sleep.” The details Kate Warne had uncovered had enabled the “Baltimore Plot” to be thwarted.

During the Civil War, Warne and the female detectives under her supervision conducted numerous risky espionage missions, with Warne’s charm and her skill at impersonating a Confederate sympathizer giving her access to valuable intelligence. After the war she continued to handle dangerous undercover assignments on high-profile cases, while at the same time overseeing the agency’s growing staff of female detectives.

Kate Warne, America’s first female detective, died of pneumonia at age 34, on January 28, 1868, one hundred fifty-three years ago today. “She never let me down,” Pinkerton said of one of his most trusted and valuable agents. She was buried in the Pinkerton family plot in Chicago.
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YOU CANT HELP BUT WONDER...What might have happened if Alan Pinkerton assigned Kate Warne to track and capture Jesse James?
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