Estimated reading time: 6 minutes
This rare image of John James of Alvarado surfaced recently. John sits in the office of his newspaper, the Alvarado Daily Bulletin, among the mysteries of John’s past. The Bulletin published John’s news columns. The stories in John’s columns later were compiled and published shortly before John died on October 4, 1927. The book is, My Experience with Indians. Today John’s book is a prized collector’s item. John’s story appears in the chapter “An Independent Free Man” in my book Jesse James Soul Liberty.

This image now resides in the photographic collections of the Amon Carter Museum in Fort Worth, Texas. Thanks to the museum photo curator, John Rohrbach, I learned the provenance of the picture. The image originated in the collection of Fred M. Mazzulla, an eccentric, colorful attorney who roamed the Old West, collecting memorabilia. He especially treasured images of prostitutes, lynchings, and the KKK.
Rohrbach further stated, “The print arrived as part of a sub-group of that massive collection, that includes perhaps 100 similar gelatin silver prints of older buildings and store interiors, generally shot in IL, NB, and CO. This image is the only Texas photograph in the group.”

Of particular interest to me, I pointed out to Rohrbach, was the sword hanging in the corner of John’s office. My chapter “An Independent Free Man” tells the story of John receiving a sword as a gift from William Wythe James, who claimed not only to be related to John, he also publicly claimed his kinship with Jesse James and his association with the Civil War guerrillas of William Clarke Quantrill. Among John’s family, the sword became known as ‘the Quantrill sword.” I mailed Rohrbach a copy of the chapter, which now is included in the image’s file at the Museum. I won’t spoil here the delight readers of my book will enjoy when they read about the disappearance of the Quantrill sword in my book and what they read here.
There’s no way the sword in this image be cane identified as “the Quantrill Sword,” but one has to ask, how would such a sword come to occupy and hold this place of display in John’s newspaper office? In the early 1920s, John would have no need of such a sword as a weapon. By that time, the sword clearly had become an historic artifact.

Fred M. Mazzulla would not have known John James of Alvarado personally. Mazzulla was born in Trinidad in 1903. He grew up in Salida, Colorado and died in 1981. He is buried in Wheat Ridge, Colorado. In a 1962 newspaper article, Mazzulla told the reporter, “I’m no stickler for historical accuracy. Sometimes it takes showmanship to make history interesting.”
Mazzulla often was accused of appropriating family photos. At a Denver bank, he once conducted an Old West photo contest, offering a $500 savings bond for the best image of the Old West. Families complained afterward they had problems getting their images returned. Some said when they eventually received their images, their treasured family photos were stamped “Mazzphoto,” indicating Mazzulla retained the original image and returned only a copy.

In 1972, the Denver Post stated Mazzulla confessed to being a packrat. He stated he used to “pick up anything not nailed down.” He continued the practice even after he became a lawyer in 1930.
Those who’ve read about the disappearance of “the Quantrill sword” in Jesse James Soul Liberty will be better informed to speculate on how this image of John James of Alvarado made its way into the collections of Fred M. Mazzula, Esq.

Formerly in the Amon Carter collection, identified together with this office image of John James of Alvarado, was an image claimed to be that of Frank and Jesse James. Ironically, this image has crossed my desk a number of times, delivered by various claimants. I informed John Rorhbach of the Amon Carter Museum, as I’ve informed the claimants, that the image most definitely is not of Frank & Jesse James. The distinction is as clear and definitive as not to need any authentication process. The museum has noted its file accordingly.

However, given the fact the image was conjoined in the Museum’s collection with the image of John James of Alvarado, this claimed image raises an interesting question. Might the two young men in the accompanying image be sons or family relations of John James of Alvarado?
Over the years, I’ve collected numerous images of the children and grandchildren of John James of Alvarado. I’ve included some of them in John’s chapter in my book. While I find no match among the photos in my possession, perhaps there are matching photos in the possession of John’s descendants. If so, I wish those descendants come forward and make it known.
The mysteries surrounding these images do not end here. Curator David Rohrbach further informed me of the provenance of the image of the two young men. He stated the image came from the collection of the noted, award winning photographer David R. Phillips of Chicago.
I know David and have communicated with him over the years. Among his photo archives are original images of Charlie Chaplin, Essanay Film Studios in Chicago, and James’ family shirttail cousins Wallace Beery and Gloria Swanson. David had informed me he also possessed some unpublished images of Frank & Jesse James, as well as their mother Zerelda. When I write my show business memoir, I’ve expected to visit David and access some of his photos for my book. David assured me he’d hold those images for my exclusive view. With my long delay, he donated the images to the Amon Carter Museum, but disappointingly they are the faces of Frank and Jesse James.

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