Tag Archives: Joan Beamis

Red Flags Fly over Claimed Jesse James Ambrotype

An ambrotype, claimed to be Jesse James, has raised multiple red flags, particularly from the Jesse James family.
Ambrotype claimed to be Jesse James, disputed under red flags by Jesse James family
Ambrotype photographic image, claimed by Patrick Taylor Meguiar to be Civil War Partisan Jesse Woodson James. Before sending the ambrotype to auction in August of 2017, Meguiar submitted this image in January to the Jesse James family. Jesse’s family disputes Meguiar’s identification.

Patrick Taylor Meguiar wants to sell his ambrotype. He claims the subject of his picture is Jesse James.  Patrick says the artifact was handed down from Jesse, through Patrick’s family, to him. Patrick also says he is Jesse’s cousin. Patrick’s ambrotype is waving red flags.

Patrick has two problems. Patrick cannot prove his kinship to Jesse. Moreover, Patrick cannot prove his ambrotype is Jesse James. Disregarding what may be wishful thinking, Patrick is taking his claimed Jesse James ambrotype to auction.

 “Dear Cousin” – Red Flag # 1

Patrick Meguiar
Patrick Taylor Meguiar claims his ambrotype is Jesse James. He also claims to be a cousin of Jesse James.

Fatal flaws in Patrick’s wishful thinking first appeared when he solicited the Jesse James family. Emailing to Jesse James family historian and Stray Leaves publisher Eric F. James, Patrick wrote, “Dear Cousin Eric.”

A greeting like “Dear Cousin Eric” raises an immediate red flag among the James family. The common belief within the James family is that those who claim to be a relation most likely are not. Moreover, those who are a legitimate and genetic relation are not likely to admit it, let alone to talk about it. A greeting like “Dear Cousin” forewarns that something amiss is about to follow.

No Sources – Red Flag # 2

Writing to Eric F. James, Patrick staked his claim to Jesse James kinship, but he provided no genealogical details or sources as evidence of his claim.

“This is the image that has passed down in my family with the tradition that Cousin Jesse Woodson James gave this photo to my great great grandmother Sarah Mariah Martin Meguiar & her siblings in 1868. I descend twice directly from Sarah Hines Martin who was the sister of Mary Hines James the wife of William James.

“My line is as follows: John Hines had Sarah Hines who married John Martin. They had Robert Martin who married Sarah Jane Hoy. They had Sarah Mariah Martin who married Thomas William Meguiar. They had Thomas Charlie Meguiar who married Dorothy Robert Turner. They had Thomas Maynard Meguiar who married Allene Moore Hobdy. They had Thomas Maynard Meguiar, Jr. who married Eva Nell Groves. They had me, Patrick Taylor Meguiar.

“My second line is Sarah Hines married John Martin. They had Elizabeth Martin who married Martin Turner. They had Robert Williamson Turner who married Almira Lucetta Hammond. They had Dorothy Robert Turner who married Thomas Charlie Meguiar. (See the line above to continue to me).”

Muddy Ancestry – Red Flag # 4

At Stray Leaves, an independent genealogical investigation into Patrick’s claim revealed the particulars of his ancestry. The investigation also revealed Patrick’s knowledge of his own ancestry was somewhat muddy. Patrick’s wishful thinking attempted to graft his ancestral tree to the Jesse James family tree.

Red flags of Patrick Meguiar claimed roots
Dual roots of the family tree Patric Meguiar grafts by claim to the family of Jesse James

Research indeed confirmed the two lines of ancestry from Patrick to Sarah Hines that Patrick claimed, with a couple of muddy anomalies. Stray Leaves considers the discrepancies as minor and irrelevant to proving Patrick’s tree attaches to the James.

The principal point of grafting between the Meguiar and the James trees, Patrick says, occurs with Sarah Hines, Patrick’s second great-grandmother. Patrick claims Sarah  and Mary Hines are sisters. As his evidence, Patrick cites the Douglas Register where the marriages of Sarah and Mary are identified.

Douglas Register
The Douglas Register

The Douglas Register does not show evidence of Sarah Hines and Mary Hines being sisters, however. Just because the names of both girls named Hines appear among a list of marriages performed by Rev. William Douglas of St. James Northam Parish in Goochland County, Virginia, nothing in the Register substantiates that one Sarah Hines is a relation to another Mary Hines. In the Douglas Register, other James are listed who are not related to William James and wife Mary Hines.

Aggravating this artificial grafting point of two family trees, Patrick’s Sarah Hines appears to have unexplained ancestry in America. Whereas, evidence in the Jesse James family affirms Mary Hines was an immigrant from England. The James family cites the The Unites States Biographical Dictionary (Missouri Volume), U.S. Bio. Pub. Co. 1878.

Additionally, Joan Malley Beamis acknowledges in her essay “Unto the Third Generation,” which she wrote to the third generations of Jesse James’ descendants, that William James and Mary Hines may not be the progenitors of their Jesse James family at all. Joan acknowledges so many James families occupied Virginia in the Colonial period where the James lived. Joan M. Beamis researched and wrote Background of a Bandit between 1950 and 1970. The Kentucky Historical Society published Joan’s book in 1970. Joan is a great-granddaughter of Drury Woodson James, Jesse’s uncle. Eric F. James included the entire text of the Beamis essay “Unto the Third Generation” in his book Jesse James Soul Liberty, Vol. I, Behind the Family Wall of Stigma & Silence.

Ambiguous Affidavit – Red Flag # 5

Together with his ambrotype, Patrick submitted to Eric F. James an affidavit, dated February 24, 2014. The document, executed on the letterhead of Williams Galleries, American Art & Antiques, is written and signed by James E. Williams.

Red flag of ambiguous Williams Galleries Affidavit
Affidavits by James E. Williams

In the affidavit, Williams states in generalities but no details, “Using my many years of experience in historic research; artifact search and evaluation; exposure to a wide variety of historic expertise at universities, historic sites and museums; and specifically researching photographs of Jesse and Frank; my educated opinion is that a very sound case can be made that the subject in the ambrotype is Jesse James.

Williams further concludes, “The preponderance of circumstantial evidence that has been collected to support the idea that this is a photo of Jesse is very impressive. Consequently, my opinion can be nothing else other than this is an ambrotype of Jesse Woodson James.

Writing to James E. Williams, Eric F. James inquired,

“1. Did you conduct any further due diligence, other than what you state in the affidavit? What was the nature of that research?

“2. Did you subject the image to a scientific forensic investigation and analysis? If so, what was the outcome?

“3. Did Mr. Meguiar consign his artifact to you for sale, auction, or disposition? What was its outcome?

When James E. William replied, he avoided the direct questions to say instead, “Considering much information Mr. Patrick Meguiar provided, it was my opinion that the ambrotype was an image of James. At no time did Mr. Meguiar consign the photo to me for sale, nor do I have financial interest in the photo, nor do I claim or want financial interest in the photograph. I’m sure Mr. Meguiar has the information that was evaluated and will go over the information with you. I have no interest in the photograph other than its’ potentially historical significance.”

For its lack of specificity and detail, the affidavit Meguiar provides to substantiate his claims amounts to no more than hearsay.

Inexpert Auction House – Red Flag # 6

Patrick strangely placed his claimed Jesse James ambrotype with the auction house of Addison & Sarova. The firm’s circle of expertise is antiquarian books. Its location in the state of Georgia is well beyond the customary locale and sphere for western artifact auctions.

A further lack of expertise is evident in Addison & Sarova’s promotional description of the Russellville Bank robbery,  written to promote the sale of the artifact. Concocting a witless fiction, Addison & Sarova spins an unschooled tale straight out of pulp fiction from the 19th century. The uneducated fable is a contradiction, replete with historical falsehoods and gross inaccuracies regarding Jesse James and his factual history.

Fictional Promotion – Red Flag # 7

The fakery begins with Addison & Sarova’s assertion that Jesse James was a principal actor in the Russellville Bank robbery. No evidence supports this tall tale. In fact, at the time of the robbery Jesse was bedridden, lying on death’s doorstep. Two doctors attended Jesse. They were unable to remove the two bullets Jesse carried in his chest and lung.

The auction house clearly fashions its appeal to prospective bidders ignorant of facts or factual history.

The auction firm then spins another whopper, integrating the wishful thinking from Patrick Meguiar’s family stories. The fibbery has Jesse James casually meandering around town after the bank robbery, handing out his ambrotype. This he does in the place where he is so desperately hunted. The chicanery defies common sense. Why would a most hunted outlaw spread pictures of himself, risking that he might be identified?

Factual history records where Jesse James went. Jesse was sent to Paso Robles, California. There, his Uncle Drury Woodson James afforded Jesse the use of his ancient springs on the property of his El Paso de Robles Hotel. The ancient spring was long respected by local indigenous people for its healing properties.

When Eric F. James contacted Michael Addison, objecting to such gross distortions of factual history, Addison refused to be quoted. The due diligence Addison exercised consisted of corroborating Patrick Meguiar’s claimed genealogy using Find-a-Grave memorials. Find-a-Grave has been a notorious and flagrant abuser of the Jesse James family, allowing fraudulent memorials to remain published despite historical contradiction.

Addison produced laughter, however, when he placed so much emphasis on the ambrotype’s coloring. Reproducing blue eyes that Addison claims match the eyes of Jesse James, was all the evidence Addison needed apparently. Never mind the historical fact that color was not integral to an ambrotype image. Color was added as a post-production technique by a photographer or artist. If desired, an artist could have painted Jesse’s eyes purple.

Most significantly, Michael Addison confirmed his firm had not executed any scientific forensic analysis of Patrick’s claimed ambrotype.

The negligence of Addison & Sarova in failing to objectively assess the wishful thinking of Patrick Meguiar is not surprising at all. The firm wants a sale and will do whatever it takes to produce one.

However, now for the benefit of an auction bidding public, the James family will subject the claimed Jesse James ambrotype to the experienced commentary of the James family before the auction occurs. The James family also will provide to the public the commentary that first was provided to Patrick Meguiar, but which was ignored and disregarded. More rigorously, the family has retained a scientific forensic analyst to subject the auction artifact to an independent scrutiny. The James family will make the report of that independent inquiry and analysis publicly known and available.

“Whatever the determination of the resulting forensic report may be,” Eric F. James says, “authoritative information will be available to a prospective bidder, useful for making an informed decision. A bidder need not rely solely upon the wishful thinking of a consignor nor upon the sales promotion typical of auction house smoke and mirrors.”

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RELATED:

Forensic Science Impugns Claims of Jesse James Ambrotype

Authentic Jesse James family daguerrotype SOLD for $360

Bob Ford/Jesse James Photo Hoax

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Tuesday March 2nd, 2021
Stray Leaves

Photos from Jesse James Soul Liberty, Behind the Family Wall of Stigma & Silence's post ... See MoreSee Less

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Tuesday February 9th, 2021
Stray Leaves

Theater advertisements for plays appeared like this in newspapers. This ad for Bloomer Girl appeared in August of 1845. Bloomer Girl was the product of Daniel Lewis James Jr. and principally his wife Lilith Stanward. The following excerpt about them appears in JJSL:

Written against the backdrop of World War II, when blacks were moving out of the South into an industrial workforce, and women also were moving out of the home into the workplace, Bloomer Girl is set in the pre-Civil War era, interweaving themes of black and female equality, war and peace, and politics. The play’s principal character, Dolly, is based upon the inventor of the bloomer, Amelia Bloomer, a contemporary of an acquaintance of Vassie James and Susan B. Anthony. As a fighter in the suffragette movement for women’s rights, Bloomer advocated, “Get rid of those heavy hoop skirts; wear bloomers like men; let’s get pants; let’s be their equal.” In the play, Dolly politicks for gender equality, as her rebellious niece Evelina politicks her suitor, a Southern slaveholding aristocrat, for racial equality. As the play’s librettist, Yip Harburg, stated,
Bloomer Girl was about “the indivisibility of human freedom.”

Bloomer Girl opened on Broadway on October 5, 1944. Dan (Daniel Lewis James) insisted Lilith’s (Dan’s wife) name come first in the show’s credits. The play was an instant hit, lasting 654 performances. Dan remained modest about the show’s success, considering his contribution a failure. “...I seem not to have given full credit to my collaborators on the 1944 musical comedy Bloomer Girl...The facts, in brief, are as follows: the originator of the story idea from which the musical grew was my wife, Lilith James, who charmingly chose the perversities of Fashion to dramatize the early struggles of the Women's Rights movement. She also developed the principal characters. I joined her in writing a first draft of the libretto. It failed to satisfy our lyricist, E. Y. Harburg, and Harold Arlen, the composer. It also failed to satisfy us. An impasse developed at which point all agreed to call in the team of Sig Herzig and Fred Saidy who were experienced writers in the field of musical comedy. They reworked the material to the satisfaction of everyone but Lilith and myself, who had hoped to invade Gilbert & Sullivan territory, with what we thought was a light-hearted paradoxical look at history. What I took for a personal artistic failure for which I blamed, first of all, myself, went on to become a lavish entertainment which played on Broadway for eighteen months and has since often been revived in summer theater. If I was not delighted, audiences certainly were and full credit for this should be given to Sig Herzig and Fred Saidy (now deceased) without whom the production would never have taken place...”
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Wednesday February 3rd, 2021
Stray Leaves

YOU CAN'T HELP BUT WONDER...What might have happened if Alan Pinkerton assigned Kate Warne to track and capture Jesse James?In 1856, twenty-three-year-old widow Kate Warne walked into the office of the Pinkerton Detective Agency in Chicago, announcing that she had seen the company’s ad and wanted to apply for the job. “Sorry,” Alan Pinkerton told her, “but we don’t have any clerical staff openings. We’re looking to hire a new detective.” Pinkerton would later describe Warne as having a “commanding” presence that morning. “I’m here to apply for the detective position,” she replied. Taken aback, Pinkerton explained to Kate that women aren’t suited to be detectives, and then Kate forcefully and eloquently made her case. Women have access to places male detectives can’t go, she noted, and women can befriend the wives and girlfriends of suspects and gain information from them. Finally, she observed, men tend to become braggards around women who encourage boasting, and women have keen eyes for detail. Pinkerton was convinced. He hired her.

Shortly after Warne was hired, she proved her value as a detective by befriending the wife of a suspect in a major embezzlement case. Warne not only gained the information necessary to arrest and convict the thief, but she discovered where the embezzled funds were hidden and was able to recover nearly all of them. On another case she extracted a confession from a suspect while posing as a fortune teller. Pinkerton was so impressed that he created a Women’s Detective Bureau within his agency and made Kate Warne the leader of it.

In her most famous case, Kate Warne may have changed the history of the world. In February 1861 the president of the Wilmington and Baltimore railroad hired Pinkerton to investigate rumors of threats against the railroad. Looking into it, Pinkerton soon found evidence of something much more dangerous—a plot to assassinate Abraham Lincoln before his inauguration. Pinkerton assigned Kate Warne to the case. Taking the persona of “Mrs. Cherry,” a Southern woman visiting Baltimore, she managed to infiltrate the secessionist movement there and learn the specific details of the scheme—a plan to kill the president-elect as he passed through Baltimore on the way to Washington.

Pinkerton relayed the threat to Lincoln and urged him to travel to Washington from a different direction. But Lincoln was unwilling to cancel the speaking engagements he had agreed to along the way, so Pinkerton resorted to a Plan B. For the trip through Baltimore Lincoln was secretly transferred to a different train and disguised as an invalid. Posing as his caregiver was Kate Warne. When she afterwards described her sleepless night with the President, Pinkerton was inspired to adopt the motto that became famously associated with his agency: “We never sleep.” The details Kate Warne had uncovered had enabled the “Baltimore Plot” to be thwarted.

During the Civil War, Warne and the female detectives under her supervision conducted numerous risky espionage missions, with Warne’s charm and her skill at impersonating a Confederate sympathizer giving her access to valuable intelligence. After the war she continued to handle dangerous undercover assignments on high-profile cases, while at the same time overseeing the agency’s growing staff of female detectives.

Kate Warne, America’s first female detective, died of pneumonia at age 34, on January 28, 1868, one hundred fifty-three years ago today. “She never let me down,” Pinkerton said of one of his most trusted and valuable agents. She was buried in the Pinkerton family plot in Chicago.
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YOU CANT HELP BUT WONDER...What might have happened if Alan Pinkerton assigned Kate Warne to track and capture Jesse James?
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