Tag Archives: red flags

Forensic Science Impugns Claim of Jesse James Ambrotype

Forensic science now impugns an ambrotype image claimed to be Jesse Woodson James. The forensic report concludes the image is not America’s iconic historical figure at all.
Forensic science compares authentic Jesse James image with a claimed one
Authentic image of Jesse James (L) about age 16 analyzed with an ambrotype image (R) claimed by owner Patrick Taylor Meguiar and the auction house of Addison and Sarova to be Jesse Woodson James

A forensic science paper titled “Analysis of an Ambrotype to Find Out if it is an Authentic Image of Jesse James” was written and published by Mark David Bampton, a native of Great Britain. The paper first appeared on Academia.edu, and now is republished in its entirety below with permission.

Applying his knowledge of forensic science acquired over many years, Mark Bampton has made a name for himself in the U.S. as a forensic analyst of historical photographic images. His masterful forensic debunking of the Bob Ford/Jesse James photo hoax definitively lay to rest a claimed Jesse James tintype image as being a fraud.

Most recently, Bampton garnered more distinction when he applied his forensic science skills to an image claimed to be famed Mississippi blues man Robert Johnson. American musicologists who engaged the controversy beforehand have coalesced in the end behind Bampton’s meticulous analysis. In the case of the Robert Johnson image, Bampton’s analysis went beyond facial recognition alone so far as to scrutinize the hands of the blues artist.

THE RED FLAGS

An abrotype subjected to forensic science and analysis to determine if the subject of Jesse James
Ambrotype appearing in Bampton’s town newspaper the Portland Sun, April 19, 2017, claimed by its owner Patrick Taylor Mequiar to be Jesse Woodson James. Now the subject of forensic analysis.

The present ambrotype claimed to be Jesse James is owned by Patrick Taylor Meguiar. He has consigned the artifact for auction to Addison and Sarova, an antiquarian book dealer in Georgia.

Prior to consignment, Meguiar’s artifact and claim raised a host of red flags. When Meguiar sought the opinion of his artifact from the Jesse James family, he made claims that were not substantiated. When promoting the artifact on its web site, the auction firm furthermore relied upon and created fictionalized history, to promote the questionable artifact for auction sale.

Eric F. James had no difficulty pointing out what he perceived as significant discrepancies in Meguiar’s image and claim. James is the genealogist, family historian, and archivist of an archive of family documents pertaining to the Jesse James family. His archive includes 250 years of authentic James family images, plus an extensive archive of images that have claimed to be Jesse James or his brother Frank James, collected over the past 150 years. Recently, James produced a video showing the genetic physical characteristics of the men of the Jesse James family. On average, James receives 3-4 claimed images every month. Most all of them never are subjected to forensic science analysis.

FIRST RESPONSE OF THE JESSE JAMES FAMILY

Writing to Patrick Meguiar, James was quick with his replay and opinions.

“First to the image:

“Attached you will find a side by side comparison between your image and one of Jesse James.

“To the untrained eye, it would appear easy to see why your image might claim to be that of Jesse James. However, when left to scientific forensic analysis, there’s much to be said. I will simply address those particulars identifiable to me.

“Clearly, these two subjects are not the same age. Jesse James is about 16 when this image was taken. The subject of the claimed image appears to be almost a decade older at least. Forensic analysis would take this into account. Still, enough physical features can be compared.

“The forehead in a professional analysis would be measured for comparison of mathematical spatial metrics. From my view, they appear similar, but each displays a different hairline. There also appears to be some spatial formations that do not comport. The JJ image is broader. The claimed image appears more narrow in compactness. Again, mathematical metrics would measure this very precisely.

“The eyebrows are dissimilar. Typical of the Jesse James family, one eyebrow is arched and the other curved. Both are arched severely in the claimed image, very unlike any image to be found among the archive of images from the James family.

“The eyes are shaped differently in each. However, JJ’s eyes are more deeply set, more round than almond, and are not subject to as heavy an overhang of fatty eye tissue. The spatial relationship of the eyes to the nose also differ.

Prior to the analysis of forensic science, Eric F. James wrote to Patrick Meguiar stating his observations of authenticity discrepancies.
Email of Eric F. James written to Patrick Meguiar, addressing the image discrepancies James perceived in Meguiar’s claimed ambrotype.

“The noses differ also, JJ’s being longer with the typical James base that arises up and forward from the area above the lip. The base of the nose on the claimed image does not rise, nor is it as widely spaced. The spatial relationships between lower nose and upper lip also differ.

“The cheekbones differ, too. By the time JJ was the age of the subject in the claimed image, his cheekbones would grow more pronounced.than that of the claimed subject. They also are more widely set. The same could be said of the upper jawbone, which among the James is as pronounced as that of the claimed image.

“Below the nose, the most telling discrepancies appears among the base jawline, jaw formation, lip formation, and their spatial relationships. Unlike the flat horizontal lower jaw of the James, the claimed image displays a rounded jaw line and bulbous jaw. The typical lip formation of the James, evident in the JJ image, of full lower lip and an indented upper lip drawn very widely beyond the width of the nose formation, does not appear the same in the claimed image, which is tight, lacks definition, and is no more wide than the width of the subject’s nose. No James image displays such a narrowly drawn lip.

“Below all this is the neck, JJ’s neck being elongated like most among his family, and the claimed image displaying a truncated neck depth.

“All of this leads me to conclude that you should not waste any money to have your image authenticated. I do not believe it to be an authentic image of Jesse Woodson James.”

A comparison of the initial perception by James with the measured and scientific analysis by Mark David Bampton reveal the two, not only arrived at the same conclusion, they arrived at the same conclusion for virtually the same reasons. Neither James nor Bampton had conferred with one another beforehand or during their independent analysis.

_________________________________________________________

MARK DAVID BAMPTON’S FORENSIC ANALYSIS

HOVER over paper for directional pages.

DOWNLOAD Mark David Bampton’s paper in pdf format.

____________________________________________________________

UNDER THE BLACK FLAG?

Initially, James casually considered the man in the ambrotype might be William Clark Quantrill under whose black flag Frank and Jesse James briefly served. Upon closer examination of his archive of authentic Quantrill images, James discarded the thought as improbable.

William Clarke Qauntrill (L&R) compared to an ambrotype (C) claimed to be Jesse Woodson James

OR UNDER WHO ?

Following his reading of Mark Bampton’s paper, James revisited the question of who the man in the ambrotype might be.

Patrick Taylor Meguiar when a boy (L), Patrick Taylor Meguiar in adulthood (L-C), Claimed Jesse Woodson James (R-C) Thomas Mainard Meguiar Jr., Patrick’s father (R)

A comparison of an image of Patrick Taylor Meguiar with his childhood image plus an image of Patrick Meguiar’s father, leads James to suspect the man in the ambrotype is a relative from Meguiar’s past. When James compared historical images of Patrick Meguiar’s, he noted remarkable similarities among Meguiar’s legitimate ancestors and the man in the claim image. None of the legitimate ancestry of Patrick Meguiar was known in the period to the ancestry of Jesse Woodson James.

Ancestors of Patrick Taylor Meguiar (L-R): Thomas Hobdy, great granduncle; Alfred Gillespie Sarver, 2nd great-grandfather; Charles Thomas Angels, 3rd great-grandfather; and Sanford Fitts, 4th great-grandfather

James knows that forensic science has proved the man in the ambrotype is not Jesse Woodson James. The evidence and proof made public in Mark Bampton’s independent forensic analysis report is available for anyone to see. What remains unseen is the evidence and proof of Patrick Meguiar’s claim. Patrick Meguiar still must prove who is the man in his ambrotype.

RELATED:

Red Flags Fly Over Claimed Jesse James Ambrotype

Mark Bampton’s Forensic Analysis of the Bob Ford/Jesse James Photo Hoax

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Friday August 21st, 2020

Stray Leaves

WHY STRAY LEAVES NEVER WILL RUN OUT OF STORIES...The ancestry of many people in SL's genealogy database can be traced back to 99 generations. Some, even more. Imagine the bounty of stories yet to be discovered, yet to be told. ... See MoreSee Less

WHY STRAY LEAVES NEVER WILL RUN OUT OF STORIES...The ancestry of many people in SLs genealogy database can be traced back to 99 generations. Some, even more. Imagine the bounty of stories yet to be discovered, yet to be told.

Tuesday August 18th, 2020

Stray Leaves

Covid 19 testing is underway at Vassie James' Pembroke Hill School! ... See MoreSee Less

Thursday August 13th, 2020

Stray Leaves

Color restoration to images originally created in black and white is a current fashion in genealogy circles. Oddly, the current rage is not producing the brouhaha that arose decades ago when Ted Turner purchased MGM Studios and began a program of colorizing old black and white movies. The most outrage surfaced when Turner colorized the film Gone with the Wind. Historians argued that colorization was a violation of artistic intent.
Today, artistic intent is not a consideration when it comes to old family photos, although the argument certainly would apply to such art images as those made by famed Yosemite photographer Ansel Adams. If anything, colorization appears to increase the authenticity of a family photo, as shown in the image below of the family of Nicholas Knaff & Theresa Tholl, taken as their son Aloysius departs for World War I. The richness of post-Edwardian color produces a vivacity in the image that was not evident or even present in the original and same black and white image.
For the James descendants of Anna Emalen Knaff, standing at the right end of the second row, the dimension of color restores the warmth she was known to possess and project.
... See MoreSee Less

Color restoration to images originally created in black and white is a current fashion in genealogy circles. Oddly, the current rage is not producing the brouhaha that arose decades ago when Ted Turner purchased MGM Studios and began a program of colorizing old black and white movies. The most outrage surfaced when Turner colorized the film Gone with the Wind. Historians argued that colorization was a violation of artistic intent. 
Today, artistic intent is not a consideration when it comes to old family photos, although the argument certainly would apply to such art images as those made by famed Yosemite photographer Ansel Adams. If anything, colorization appears to increase the authenticity of a family photo, as shown in the image below of the family of Nicholas Knaff & Theresa Tholl, taken as their son Aloysius departs for World War I. The richness of post-Edwardian color produces a vivacity in the image that was not evident or even present in the original and same black and white image. 
For the James descendants of Anna Emalen Knaff, standing at the right end of the second row, the dimension of color restores the warmth she was known to possess and project.

Wednesday August 12th, 2020

Stray Leaves

J. Mark Beamis makes his 14th triple platelets donation of 2020. Mark is a great-grandson of Drury Woodson James & son of Joan Malley Beamis, author of Background of a Bandit.

Platelets are cells that help blood clot and support the immune system. During a platelet donation, you give up to six times the amount of platelets contained in a whole blood donation, and your fluids, plasma, and red cells are returned to your body. Not only do platelet donors provide more of the life-saving platelets patients need, they also help limit how many donors a patient is exposed to.

Donated platelets have a shelf-life of 5 days. Platelet donors are constantly needed, especially on weekends and during holidays, to keep the supply stable.

Blood types most needed: A+, A-, B+, B-, AB+, AB-
... See MoreSee Less

J. Mark Beamis makes his 14th triple platelets donation of 2020. Mark is a great-grandson of Drury Woodson James & son of Joan Malley Beamis, author of Background of a Bandit.

Platelets are cells that help blood clot and support the immune system. During a platelet donation, you give up to six times the amount of platelets contained in a whole blood donation, and your fluids, plasma, and red cells are returned to your body. Not only do platelet donors provide more of the life-saving platelets patients need, they also help limit how many donors a patient is exposed to.

Donated platelets have a shelf-life of 5 days. Platelet donors are constantly needed, especially on weekends and during holidays, to keep the supply stable. 

Blood types most needed: A+, A-, B+, B-, AB+, AB-
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